“Borderline absurd” was the Guardian’s approving verdict on that show, during which Parton tooted a rhinestone saxophone and improvised a song called Mud (her crystal-studded white suit survived the weather unsullied). But that was just a workaday gig for a character who was always “on” in public. Ebullient and warm by nature, she created a persona that had no real precedent in country music – she was a fantasy figure who was also very real. The exterior fakery, modeled on “a whore or a high-class prostitute, not even so much high-class”, as she told Rolling Stone in 1980, was grounded by deep intelligence and honesty.
Once she was able to, she helped others: from 1988, local schoolchildren, from 1995, through a book reading program that went international, and later with aid for people affected by wildfires and hurricanes, and medical research including $1mm that resulted in the Moderna COVID vaccine.

(obit adapted from the Guardian USA)